Ripsnorter Reviews
Infected Reviews
Like a death march of punk madness, Ripsnorter has entered a new plain of musical chaos with the improved sound and die-hard mentality of the new album "Infected."
A band that started in 1994 with a thrash heavy influence has gained a triumphant Karate Kid-like structure of sound, from taking out the Cobra Kai with chord progression to using the crane to knock-out the last cymbal slam, Ripsnorter has compiled years of global hardcore influence to create "Infected."
The forceful layers of the album make the listener stand and yell for more, without Billy Idol. A chant heavy album of "rock," with a dash of the 80s, lets ears pound with pleasure.
From "Horizon," a track built on memories, to the intensely solo-soaked "Against the Grain," both of which have a thick wall of attitude built off of a solid vocal influence, some may recognize as Glenn Danzig of The Misfits era (Ripsnorter also has a Misfits tribute band titled Ripfits).
Ripsnorter has gathered the taste of a Black Flag concert of 1992, with the heart of a Iron Maiden show of 86' within "Infected."
If the ears are faint of getting fried by random thoughts and the chaos of old school punk rock, this is not the album to kick over Grandma's glass table to, but if kickin' down doors only to hang from the chandelier before leaving the party sounds like a Saturday night fiasco of fun, then "Infected" will do justice.
By Kaleb Bronson - Rift Magazine
The extreme punk, rock, hardcore sounds of Ripsnorter on their third full length c.d. entitled "Infected", energizes and catapults the listener's senses into a frenzied variety of emotion's. Through the use of catchy guitar hooks, harmonic guitar back drops, powerfully thumping bass lines, smoothly delivered vocals, tasty drums and exaggerated time change, many of the thirteen songs on "Infected" are a real addictive treat to the ears.
This Minneapolis based band has created uniquely energetic music since 1994 with a viable fan base of self acclaimed, "Die hards", spanning from every corner of the U.S. and in many foreign markets. Ripsnorters current lineup on there 2008 release, "Infected" is quit simply a well produced and fit mix of music with instrumentation by JME on lead guitar and vocals. Andy on rhythm guitar. They bring out the fullest in a reputable punk hardcore guitar sound. Ripsnorter has a strongly enhanced back rhythm and beat that is catchy and ritualistically dark at the same time driven by Jay on drums and Damien on the bass guitar. Filling the void between heaven and hell through a wicked low end.
From the eerie sound effects that are surprisingly welcoming on the opening song, "Wasteland" to the last distorted guitar/sing along of Creedence Clearwater Revival's cult song (the only cover on "Infected")"Bad Moon Rising"
I found the vocal effect's on "Cocoon" to be a joyous change that erupted my imagination with strongly delivered vocals that garnished my attention thoroughly throughout. I felt part of being human (is the pain) of wanting the song to continue long after its ending. "Box of Culture" is another one of my personal favorites with an irreplaceable bass guitar (Damien) and lead/rhythm guitars that are punctuated on the beat of a dime at a split second by drummer Jay. Surprisingly the emotions of JME shine dangerously through the vocal affects and falsifies any discern that punk is for screamers without harmonious, catchy vocals.
The bands MySpace posted song at www.myspace.com/RIPSNORTER , "Caught Between Heaven and Hell" is just a small tantalizing tease of what one can find on this well produced L.P.(Mixed/Mastered at Logic Studios-Engineered by Brian "Gary"Bart) With an all out frontal bass assault and penetration rhythm guitars (Andy) going the distance from song after song, any fan of quality punk music with a flare for change and dramatics, will find themselves in a sing along, long after a few listens.
For more information on who Ripsnorter is and how you can obtain your copy of "Infected" visit the above mentioned MySpace or log onto www.Ripsnorter.com
Ripsnorter definitely takes the road less traveled in music today with an all out balls to the walls attitude and thunderous punk rock sound. Ripsnorter continues to give the middle finger to the establishment without missing a beat in the constantly growing hardcore, punk, rock scene.
Sinfully, Q/5 - Muen Magazine
Ripsnorter has spent many years bloodying their knuckles for the honor of the horror punk genre. Why do they do it? Are they sick? Are they masochists, secretly getting off on pouring their glistening guts out on self-released discs and in front of feeble crowds in dirty dives? Why do all of these horror punk bands do this to themselves? In Ripsnorter's case, it's obvious. They do it because they love it. That love comes through in songs like "Infected," in which the victim of a zombie bite begs for a bullet through the brain. The scenario isn't simply played up for shock value. Like all good horror, the focus is on the emotions. You can hear the narrator's conflict, asking to end a life not lived to the fullest in order to prevent him from putting anyone else in the same position he's in. Here's hoping Ripsnorter keeps waving the horror punk banner well past the impending zombie apocalypse.
- MP Johnson - Razorcake
BEWARE...CONTAGION!
This is the latest effort from this horror influenced, melodic, punk/hardcore act from Minnesota. The album begins with a chilling intro, entitled "Wasteland." It reeks...and I mean reeks...of true horror. It kicks right into the powerful and catchy track "Dust." Now, that song slays!
I don't feel it necessary to break down every track individually. Each song stands on it's own real well. JME's vocals are well-crafted. The musicianship on this release is also spot on. Overall, this is a very strong album. It doesn't seem too formulaic...which is a good thing. It even finishes off with a cover of CCR's "Bad Moon Rising."
These guys don't seem too interested in following the same, stale horror punk motif that so many other bands adhere to. So, if you're looking for an escape from all the "doo-woppy" horror acts out there, check out Ripsnorter..and their release, "Infected." It's catchy, heavy, and solid from beginning to end. Do yourself the favor and write them on myspace and grab a copy.
Werewolves on Wheels 'Zine
After spending the better part of the past fifteen years toiling in the Minneapolis punk scene, Ripsnorter has emerged with INFECTED. Their latest self-released album features 13 tracks of Misfits-influenced hardcore horrorpunk and features a guest appearance by "Scream Queen" Linnea Quigley (RETURN OF THE LIVING DEAD).
I'm not a big fan of the "intro" track that bands tend to slap on the front of each album, and this one is no exception. Clocking in at 2:22, "Wasteland" is a slow drudge of ringing chords and synth, well-worth skipping to get right into the good stuff.
"Dust" sets the stage for the rest of the album with raw guitar crunch and a tale of a rotting corpse well on it's way to fading into dust itself. The title track fits well with the album's 28 DAYS LATER-inspired artwork, as "Infected" begs for death before the effects of a zombie plague takes hold.
"BEFORE I DIE PLEASE KILL ME
PUT A BULLET IN MY BRAIN
'CAUSE MY THIRST FOR BLOOD IS GROWING
I DON'T WANT TO WAKE UP DEAD"
from INFECTED
"Box of Culture" is the one track on the set that breaks from the traditional formula, with a a great groove and catchy hook. "Scream Queen", features Quigley doing what she does best at strategic breaks during this love-letter to B-movies and the women that "call out...through the silver screen." Also of note is the closing cover of CCR's "Bad Moon Rising", which I wouldn't be a bit surprised to hear pop up on the soundtrack for an indie horror flick somewhere down the line.
While INFECTED is nothing groundbreaking, the album is a punchy 40-minutes of punk rock, and excellent for those who wish to hunt zombies.
James Zahn FANGORIA MUSICK - Musick Reviews
Ripsnorter again are the punks they ever were, with a tweaked sound that resounds in the vein of Social Distortion, Overwhelming Colorfast, Therapy? and Bad Religion.
If you live in a cocoon it's time to hatch and fly around the world painted by Ripsnorter. As many punk rock lyricists are underrated - let this not become another band who is overlooked.
Here are the subjects of discussion, for pondering: the human life cycle (inclusive of life and death), the question "why?", self, eternity, honest emotional perspectives, grief, self determination, brainwashing ala the box (you choose, the tV or computer), motives in war, carpe diem, horror flick star. Twelve out of 13 tracks we consider hot as heck.
Guitar solos are apparent in this disc and bring to mind the kingpin of brains behind Dinosaur,Jr. Rhythm guitar sounds like the Meat Puppets and Bl'ast on steroids. From the onset of Wasteland through Infected the vocals were more gritty and sandy, yet infectious.
Caught Between Heaven and Hell through Scream Queen the singing is more gang style and howlish like Danzig's headstrong early punk days. With respect to the drums and bass, full on, fast and punctual. Not the typical 8/16 beat arrangments - fancy cymbal work and bombastic fills and rolls. When you hear the bass guitar lines you can better appreciate the speed and alacrity by which punk musicians play.
We stumbled onto this band in search of a band that does Misfits covers, this is not what we found. We found a hidden treasure from the mid-west. Who would have guessed true-core punk would come from Minnesota - times are a changin'! Buy it for yourself, hear it for yourself!
Help Along Your Way
ROOTS II - The Return Compilation
ROOTS II - The Evil Return of Roots II
is the second installment (only about six months apart, it seems to me)of the Roots compilation CD series on Minneapolis's Root-O-Evil Records. The first CD was released jointly with neighbor label Left Alone Creations, whereas Roots II comes solely under the Root-O-Evil banner. Once again it's a real mixed bag in terms of both style and quality. A lot of demo-level project bands seems to be the trend with the tracklists of the Roots series. Entries from the two-bored-pretty-funny-guys category this time around include 2 Nice Fellows giving Lemmy his due (performing a cover of "Ace of Spades"), Pantalones Abajo Marinero, and the Moron Take-a-Dirt-Nap Choir (doing an a capella song called "Fuck You"). The "Ace of Spades" thing is really pretty funny, and the Especially Likely Sloth track (a cover of "Hammer Smashed Face") is also quite choice. Along for the ride are killer tracks from Sigh. Impaler, Nothing, and 21st Century Sin, which muster a level! of professionality that the aforementioned certainly lack (and with good reason). Ripsnorter is definately one to watch, with a very catchy blend of thrash metal and Misfits-style horror punk apparent in "Millennium". I don't know what the pricing of these CD's is, but if they were, say 5 bucks, it'd be worth it. These will come out regularly I guess, and as long as the line-up stays at some album- level bands, some SERIOUS demo-level bands, and two or three funny things, it might survive as a kind of underground variety show.
- WORD OF MOUTH #14
ROOTS II - The Return Compilation
Any compilation with an unreleased SIGH track on it is worth pretty much any cost, but if I understand correctly, Roots II is "budget priced" (5$ I think) so track down a copy of this immediately. Other highlights include GROINCHURCH, SOMNUS, RIPSNORTER, PORCELAIN GOD, and 612 CREW. I suggest skipping over embarassing 4th track (a truly horrible karaoke version of "ACE OF SPADES"). And there are quite a few other really bad bits on here, but just skip 'em in favor of the cool stuff. 7.75
- METAL CURSE #12
This is Horrorpunk II - The Terror Continues
VARIOUS ARTISTS
This Is Horrorpunk 2... The Terror Continues
(Fiendforce)
Whoa-Ohhh, Whoa-Oh-Oh-Oh!!!
The Misfits are an influential band. Almost up there with Led Zeppelin and Black Sabbath I dare say! The Jersey devils certainly have a hardcore cult following among musicians that just seems to grow and grow. Like that man-eating plant in LITTLE SHOP OF HORRORS!
From the first listen to the second installment of this horrorpunk extravaganza from Fiendforce Records, I become even more confident in my above claim. Baritone/Danzig-type vocals and whoa-oh's abound on this testimonial to horror music (Calabrese, Plan 9 and the Vladimirs - take a bow). And some of them sound better than what is being peddled to us as the Misfits at this point in time!
But if you think that is all that is going on here think again! Elements of metal, garage, surf and straight up rock and roll all dress up scary and take a poke at the bloody pinata.
And I must say right up front that Fiendforce Records is SO IMPORTANT to horror music fans all over the world. This label/web store is like a big, fat trick or treat bag for everyone involved in the scene from fans to musicians. They are true heroes to those of us that like our music on the dark and gruesome side. And dark and gruesome is on display here in abundance!!
The great thing about this release is the mixture of new talent with the old school artists. And the veterans make up a virtual who's who of the spooky rock genre! Dinah Cancer (Penis Flytrap, Dinah Cancer and the Graverobbers) on two tracks no less, Steve Zing (Doomtree), Blasko (The Death Riders), Wednesday 13, Forbidden Dimension all contribute some of the strongest tracks on the disc. My personal fave is the band Frankenstein, which features members of Christian Death and Voodoo Church. This band rocks like Lemmy's creepy cousin doing steroids with The Damned on the tune "Lovecraft". Awesome, awesome stuff that has sent me on a mad quest to acquire more of their music.
Bloodjunkies, The Rosedales, Shadow Reichenstein, Ripsnorter and "special guests" The 69 Eyes are all highlights on a compilation filled with excellent bands (There are a couple turds but I'll let you sniff them out yourself!). You really can't go wrong picking this one up and then go to Fiendforce and buy all the full-lengths from these artists... where else you gonna go for all your horror rock needs? Best Buy!!? Rrrriiiight!!!!
4 Hits From Mars Compilation 7"ep
VARIOUS ARTISTS "4 Hits From Mars" (Fandango Records)
SCORE: 84/100
This Misfits tribute 7 inch is for those who want to hear covers that sound a lot like the original songs, and many Misfits Bible subscribers really enjoyed this. (My congrats to Chris for being able to get ahold of this one! - Ed.) It is very hard to find as it was limited to 300 vinyl copies (100 each in black vinyl, gold and blue.) and were only made available to Misfits Bible members and those who had Fandango's address. Anyway, the disc starts off with a nice brutal version of 'Die Die My Darling' by Undermine: pretty heavy and the vocals are reminiscent of a much younger James Hetfield from their "Kill 'Em All" days. Silent Noise (a.k.a. Tim Cotter) does a pretty cool version of 'Horror Business,' which sounds a little like that solo 7 inch Danzig did back in 1981 ('Who Killed Marilyn/Spook City U.S.A.') -- all instruments and production done by one person. Ripsnorter does an almost exact studio replica of 'Skulls' which sounds really good, kinda makes you wonder what their original stuff sounds like. The Idiot Police (Wow! Where do they come up with all these cool names?) covered 'We Are 138,' which sounds different from the original, mainly the vocals, and it's also rather poorly produced, which is rather a downside but it does keep that punk edge to it that '138' was always known for. Overall it's a pretty good album, nothing whiny or whimpy about it. These are all true Misfits Fiends, and this disc is a good tribute to one of the greatest bands on Earth.
- Review by Chris J. Waters - Vibrations of Doom issue #15
VARIOUS ARTISTS "4 Hits From Mars"
Your version of Skulls on the 4 Hits 7" is the most dead-on perfect cover I have ever heard. It's so amazingly close to the original. Excellent job!
-Mark, Misfits Central
VARIOUS ARTISTS "4 Hits From Mars"
Just got my copy of 4 Hits From Mars. Now I'll take my turn at reviewing the E.P. First of all, though, I'd like to say thanks to Jake Starr for going through the trouble of putting this together. It's a professional looking production, not to mention the low cost. For 4 bucks you can't go wrong. Anyway, all the bands were great. These four songs get much more play than the entire Violent World Tribute. They are more interesting too. You can tell that the people performing the songs are real fans. I would have to say that my favorite would be Ripsnorter with Skulls. They definitely get that classic "Misfits" sound. Cool vocals. Running a close second is Undermine with Die Die My Darling. The other bands, the Idiot Police with We Are 138 and Silent Noise with Horror Business, also do a great job. If I got to pick the lineup for the Violent World Tribute, these four bands would be first in line.
VARIOUS ARTISTS "4 Hits From Mars"
Hey Bible Fiends In a few words: BUY "4 HITS FROM MARS" ! I've been listening to it all weekend, it's great. These guys could (should) have been on Violent World; that's how good it sounds. Here's my pitifully inadequate review: --"Die, Die my Darling" is easily my fav cut on the album. Tom Undermine sounds like a young Glenn Danzig and says "DIE ! DIE !" like he means it. --Tim Cotter's take on "Horror Business" makes me want to buy my own home studio and record everything myself too. You really can't tell it's just him. --Ripsnorter's (The RipFiTS) "Skulls" sounded good and raw. like a fit's song should. --The Idiot Police's "We are 138" sounds very cool, very angry. Overall I loved every track. It was more like the Misfits than the Misfits. I have to say I was ready NOT to like this album. I was expecting lot's of sincere but awful crooning, so-so musicianship and "blah" interpretations not to mention cheapish production values. This did not come to pass. Never again will I doubt the abilities of the Fiends. This is a cool, professionally made album. It was made for us. Buy it ! Buy it now ! It's 4 dollars for christsakes, how can you go wrong ? If you don't have the money, give an old lady a lapdance or something and you'll make the dough easily enough. And girls, just send me one (1) nude photo of yourself and I'll buy the tribute for you ! Shit, if you're good looking enough I'll hand deliver it to your door ;-) So you see ! There's NO excuse for not buying it.
Wiping Out the Human Race Reviews
RIPSNORTER
Wiping Out The Human Race
(2005 Ripsnorter)
How am I supposed to NOT appreciate a band who's credo is: "We're RIPSNORTER and if you don't like it, start your own fucking band"? Plus the fact that my first exposure to them came by way of a handful of contributions to a few different Misfits tribute offerings, it would appear that these malicious Minneapolisians could do no wrong in my dogeared book. Fervently seeking out anything I could find on this quartet (spearheaded by brothers-in-arms Jay and J-Me, drummer and "lead stud", respectively), I was somewhat disappointed upon my initial spin of their hardcored 1996 debut PULSE, learning much later that the band fell apart shortly after it's release and it wasn't until during their hiatus that they found an affinity for horrorpunk and demonic Danzigery. Since their '97 reanimation, there have been scattered recordings here and there - most notably a split 7" with hometown horrorists Impaler and the aforementioned 'Zig ditties - but the wait is, at long last, over.
The first and most obvious improvement from the 'Snorter coven comes by way of the overall sound... learned the hard way as I played the somewhat muffled PULSE as a refresher and, without thinking to counter-clockwise my volume knob prior, was ended up wearing my speaker covers as an impressive sombrero when WIPING OUT's carouseled it's way around my player. The hardcore influence is still there for certain - and I'd venture to lump them into that genre if pressed - with the Big Apple influence of Agnostic Front ("Desensitized"), Cro-Mags ("Warped") and a raucous 'recking of Broken Bones' "Death Is Imminent" being the most obvious. However, this time around, rather than sounding like a secondhand Warzone, Ripsnorter have truly come into their own, mixing just enough of Misfits'd croonery and whoa-whoa-is-me-ing ("Living Hell", "Circle") to make them stand out in both the hardcore and horrorpunk factions. While I'm hoping for a thorough crusade to promote WOTHR rather than another eight-year chasm between releases, it's pretty clear that all you can do is stand back, hope for the best, swaddle your trembling tympanum and let Ripsnorter work their deafening magic.
Gery Nible - Horrorwood Babble-On
Sixtyne tracks of pure fracas infused punk! Hailing from Minneapolis, MN this band of 4 bring a new swift kick to punk music. This 'ain't your' blink182 "so-called punk", it's the real deal. R!psnorter is here to stay.
VITALS to keep in mind:
J-ME: Guitar and Lead Vocals
JAY: Drums and backing
ANDY: Guitar and backing
ROB: Bass and backing
All the best things you love about the Misfits, Minor Threat, Danzig, Samhain, The Accused, The Exploited; Kinghorse are all rolled up into one cantankerous R!psnorter. NO! and again we say NO, NO, NO!!!!?!?!?!!!! This is not another "Misfits", Ripsnorter are of their own kind, their own making, and their own hot branding of punkitude, "Twin City Harcore Punk Pollution."
One of the numerous likeable aspects of this band is their keen observation and manner in which they sing what we all wonder about. J-ME is the voice of many in America, and possibly around the world. The lyrics are on honest extraction/excerpt of what's bringing us down. The messages are not some hybrid encrypted signaling device, they just say it - like it is.
Help Along Your Way
Wow, it sure has been a long-ass time since the band's previous full-length! Sure, they've been contributing to more compilations than you can shake a stick at, and they're piling up a catalogue of 7"s faster than the "Hellacopters", but it's been nine (yes "9") years since the release of "Pulse"! When it comes to getting an album of new material out the door, these guys are worse than "Metallica" or the "Newfits"... not that anyone actually wants new material from those guys any more, but that's besides the point. So, the band has had a long time to hone their craft, have they been practicing you ask, and doing their homework? Hell yeah! WOTHR beats Pulse hands down. Actually, now that I compare the two, I might have been a little easy on the band last time out. But that's neither here nor there. The band's sound is still a mix of traditional Horror-Punk, old-school Hardcore, and Thrash-Metal. In fact, I think the horror portion has even been upped a notch or two here for greater effect. Speaking of genres, in an odd move, (and I think this is the only band that I've ever seen do this) they list the specific genre for each and every song on the disc in their bio. For example, they tell you which track is Metal, which is Punk, and which is Hardcore... bizarre. Anyway, this time out the songs are more mature, and better thought out. Everything seems tighter, and just generally more professional. There are lots of mid-paced riffs and rhythms that just make you wanna find the next available mosh-pit and dive right in! In a sub-genre that produces a lot of clones, Ripsnorter manages to honour their forefathers, but stops short of ripping them off, and in the end, has managed to create their own sound. This disc is guaranteed to get your blood pumping! I also need to mention two other points. First of all, there are only 1185 of these puppies in existence, so if ya want one, ya better get on it pronto! The second thing, is that this disc also includes an excellent "enhanced" portion for your PC. You get band info, a live vid, pictures, and two unreleased songs, "Circle" and "Hardware". Not too shabby a package for a DIY effort. RATING = 8.5 Hardcore Horror-Punk (Released 2005)
urotsukidojis pad
Worth It!
This disc HURTS! It's a nice combo of metal and punk horror core even though I wish thry'd hone in on either one or the other. The production is better than most discs of the same genre. They're always fun to see live and the disc reminds me of that sort of fun and energy.
Submitted by AstroBoy (St Paul, MN, USA)
Wake the Dead Reviews
RIPSNORTER - Wake the Dead
The Misfits ought to watch their backs, Ripsnorter just may stomp all over their grave!
-Battlehelm
RIPSNORTER - Wake the Dead
These deadites play raw, loud, and aggressive!! Wake the dead they will!!
- Mad Monster Radio
RIPSNORTER - Wake the Dead
Almost sounds more like the Misfits than...well...the Misfits!
- DedKitty Radio
Pulse Reviews
RIPSNORTER - Pulse
Who, or what is Ripsnorter? Well, here is how the band describe the name "RIPSNORTER: adj; archaic slang: a violently energetic or noisily outspoken person; someone using slam-bang methods; something extreme; something or some person of extraordinary violence or power; someone of exceptional merit or quality. One that is remarkable for strength, intensity, or excellence." That that as you will, but Ripsnorter have created an interesting sound on this CD, effectively mixing Misfit Horror-Punk influences with elements of hardcore. Unlike the Misfits, Ripsnorter usually has something to say, other than just singing about aliens and vampires. The songs are nice and raw, they don't sounding like basement tapes, but they also don't sound like all the nicely polished turds out there like Sum 41, or any of the MTV bands that 12 year olds are calling "punk". This is the real deal, no bull shit, punk. Highly infectious, moshable stuff. For more info visit www.ripsnorter.com .
RATING = 7.5 Hardcore Horror-Punk (Released 1996)
urotsukidojis pad
RIPSNORTER - Pulse
Pulse is a bit like Motorhead meet The Damned. Pulse is a 12 track 39 minute Tour De force, no nonsense Metal album the way it used to be. From the opening track 'Dependence' this CD takes no prisoners. 'Box of Culture', 'War At Home', 'Snap', all pass by in a blur and it's only when the last few bars of 'Taking Of Innocence' (the final track) that your ears get a much needed rest. Those of you who have been brought up on a diet of Pantera, Machine Head, Etc. may not find this CD as instantly likeable as I did, but this to me is what metal is all about, raw, no nonsense, straight to the point. Quite simply buy this CD for a stroll down memory lane or buy this CD if you fancy a change from all the Hardcore thats around at the moment.
-Stormbringer
RIPSNORTER - Pulse
The album "Pulse" is a loud, aggressive wall of sound created by four guys that definitely have both profound opinions and insites. Although the album is loud and aggressive it also has a positive twist. Most of the album talks about taking charge of your life, voicing your opinion and being happy with who you are and what you have to offer the world. It's great album and I can't take it out of my CD player ( when I put it in the tray wouldn't open anymore. Is that a sign or what!). I definitely suggest picking it up.
-Minnesota Music Scene
RIPSNORTER - Pulse
Hardnosed and gritty-sounding, Ripsnorter tread their way through the looming, enveloping, throbbing darkness that is Pulse. Sounds much like the Misfits.
-SPANK Magazine
Ripsnorter - Pulse (R.I.P.) CD
Honesty, so they tell me, is the best policy and so I'm obliged to say up front that I'm a bit of a tadpole in the Thrash Ocean. Still, I do know what I like and Ripsnorter certainly provide some of that: all the necessary moves are here and bonus points are awarded for the lack of death vocals. Sadly, however, this is thrash towards the metal end of the scale and Ripsnorter get a couple of points on their licence for their tendency to solo. It's a solid effort, but I prefer the punk/HC side.
-Jimmy's Riddle/Robots and Electronic Brains
Emergence
RIPSNORTER - Emergence
CELEBRITY FLASHLIGHT!! If it were up to me, I'd retitle this 4-song cassette release RIPSNORTER: "Submergence"...Then I'd climb into my time machine and drop it off in 1988, Souix Falls South Dakota...But that's not fair and that's not nice. So, here's what's nice: The production, the J-card, the overwhelming confidence of the pound-for-pound "wall of sound" (self-entitled). And the "copper top" chops of drummer Jay! Here's what's fair: The inhuman anti-quality of this kind of music (maximum dude rock), and the almost-nihilistic vocals of singer/guitarist, J-Me (who needs to take a paradigm shift away from the pronoun podium). Overall, these guys seem to be good at what they do, with glimpses of total melodic drive... Yet, every song has the same pounding sameness. More melody, more melody, more melody!!!
-CAKE Vol 11 #32
RIPSNORTER - Emergence
These songs are just ooooozing punk-ness for the 90's with some old style influence. The addition of a second guitar has done the trick. They have definitely progressed in a big way. I hear a slight Legacy of Brutality Misfits sound mixed with punk, hardcore, and rock. With political and social questions, this is it. Punk is alive and well- and it is as hard as a rock!
-HOLIDAY FANZINE
RIPSNORTER - Emergence
A very high quality recording. These guys have a really tight sound. Reminds me a bit of the MiSFiTS, but does get metally at times.
-HOOKED ON JUNK
RIPSNORTER - Emergence
Really pro sounding, really tight. Suicidal Tendencies meets coffin break, with early Lemonheads guitar leads and Detonators intonation sneaking in on a few songs. They definitely don't sound like "a Minneapolis band". If you'r into any of that, definitely pick up the tape from local record stores w/consignment, or write to Ripsnorter. It sounds good. The only critique I have is something a lot of guitarists do when they get to write all the songs: start 'em all w/guitar intros. Some bass intros or some "on cue" starts would make th set sound tons more diverse w/th least amount of work. The fast parts shred!
-RUSTBELT
Ripsnorter Reviews
City Pages - Best band List
Earl Root, Root of All Evil Records
2. Opaque
3. Ripsnorter
4. 21st Century Sin
5. Pentagoria
There's a lot of metal underground hardcore bands that are failing for lack of support from the scene, despite some great all-ages metal shows at the Turf Club and the Armory. Lorde of All Desires is a combination of progressive and black metal. Opaque plays very heavy, crunchy stuff, and they're good for being as young as they are. Ripsnorter is a Misfits worship band, nice guys who are really into it for the sheer sake of the music. With 21st Century Sin, the music is progressive, interesting metal--catchy but not predictable. Pentagoria play a great combination of death, speed, black, and thrash--everything that's happening in the metal scene combined into one aggressive and impressive band of very young musicians. Definitely a band to watch. Honorable mention to Impaler, with their new lineup.
Ripsnorter had a show review on HowWasTheShow.com. It pretty much said that it looked like we all showed up on motorcycles and that our performance was second only to the U.K. Subs themselves.
RIPSNORTER is a band with some cool, melodic breaks, some metal riffs and solos and an overall aggressive form of music. Every time I see this band they seem to get better.
-MAXIMUM ROCK'NROLL
RIPSNORTER
This band has been around for awhile. They've had trouble finding themselves, so to speak, and thus haven't put much into getting themselves noticed. But with new songs, things are definitely looking up. They have a darker, heavier sound, somewhere between mid-80's hardcore and the MiSFiTS. Like I said, the new songs are more catchy and promising than most of the old ones. I've seen these guys rip when they are in a small space w/ a short set. They probably have a bunch of demos under out under their old name; so come out and see then and find out what they used to be called. Gossip: Is RIPSNORTER the same as fart sniffer?
-RUSTBELT #5
VARIOUS ARTISTS
Stillborn Monster Babies: A Tribute To The Misfits 3
(2002 BlackLight)
Once again, certifiable uber fanatic Adam Bodnar assembles, organizes and packages a frighteningly thorough testimonial to his beloved New Jersey Devils, this installment featuring 19 different bands eviscerating 35 devilocked ditties. As was the case with Rounds One, Two and Two.5, the results are rather mixed, but thankfully the flubbed versions are SO bad that they provide nearly the same entertainment value as the more polished, professional reworkings.
As before, Cleveland's Ripsnorter are clearly the kings here, taking on "Halloween", "All Hell Breaks Loose", "Crawling Eye" and clinker "Dust To Dust" and completely bending them to their villainous will.
Although Alabama's Prime Directive don't bring much originality to "Night Of The Living Dead", "Ghouls Night Out", "Horror Hotel" and two others, they are nearly dead-on to the originals with vocalist/guitarist Russ Patterson doing ol' Glenn's lyrics justice with his youthful yelp. Not limiting itself to these great shores, STILLBORN receives support from both Sweden (Sex Sex Sex - "Attitude") and Brazil, who offer both good (Antimedia - "Spook City U.S.A.", "Dig Up Her Bones") and really, really... I don't know WHAT... (Grotesco - "Skulls", "Braineaters" and a "We Bite" that has to be heard to be believed). Other noteworthy no-goodnicks include The Liberats (their "Earth A.D." nearly outsmokes the original), Texas's Hammercocks (whose ranks contain bassist Otto Partz and drummer Billy Ray Virus), the always-bomabastic Eerie Ln. and - they won't go away - New York's retardically-challenged-but-lovable Ebenezer Splooge.
Two versions of the tribute exist; mine featuring Dead Mans Handle's rather sad "She" and The Deadbeat's "We Are 138", as opposed to Psycho '78 and The Rejecters (featuring Heineken Skywalker, Dixie Wreck and Buster V. Gynerr, no less) doing the same covers on the alternate version. And, if all the above ain't enough, it all comes enshrouded in (unfortunately compromised) artwork by horror-rock's official posterboy, Mr. James Rowe.
From Hell They Came: A Tribute To The Misfits
Here Come The Dead: A Tribute To The Misfits 2 - (Black Light)
While I'm generally put off by the whole "tribute" phenomenon (re: creative laziness), it's the obscure little finds like these that make recorded homage a bit more justified. Totally D.I.Y., from the bands (mostly of the garage variety) right down to the disc duplication and packaging, Black Light's offerings to the reigning kings of spookpunk are the third and fourth such sacrifices I've heard (Caroline Records' pathetic VIOLENT WORLD and the masterful HELL ON EARTH from Sweden being the other two). The first Black Light tribute, FROM HELL THEY CAME, dates from 1998 and features no less than 25 bands covering 39 old-school classics. While the sound quality tends to jump all over the place (due to differing source tapes and recording conditions) and most of the bands' renditions are stagnant, there is enough talent here to keep things interesting. As far as for "good" bands, I would reserve that adjective for Alcoholocaust and St. Paul's very capable horror heroes Ripsnorter - who turn in three fine ditties and, incidentally were my reason for looking into these discs in the first place--but the instrumentals (best: Spinetingler's "Halloween") and moronic piss-takes prove to be my true joy with FHTC. Two versions of "I Turned Into A Martian" (by The Ska Walkers and Def Con 3) inspired much amusement, while The Castaways's Hank Williams-ish knock on "American Nightmare" triggers guffaws every time.
Confirming that nothing exceeds like excess, along comes 1999 and the double-disc'd HERE COMES THE DEAD - this time with better sound, better song selection (AMERICAN PSYCHO material is added to the mulch) better artwork, but only slightly better contributors. Again, the listener is confronted with only a few noteworthy acts, the remainder sounding like "open mic hour" for off-key Danzig wannabes. 77 tracks (and nearly as many minutes per disc) await those bold enough to tackle them, and bold I am, favoring renditions by Black Rain, Ebenezer Splooge, the Crimson Ghouls's near black metal "Devilock", The Serpenteens, Freaks (who turn in the fastest "...Martian" I've EVER heard) and, again, the hellish hooha of Ripsnorter. Fanciful quirks appear once again, best provided by the juke joint smokiness of I Think I'm Bleeding's "Wolfsblood", Eerie Ln.'s "Rat Fink (Matt Drinks)", The Coreys's female vocalist, Germany's Tanzende Kadaver's "The Haunting" and Devilock's terrifying go at "Astrozombies" (visualize '82-era Motley Crue attempting the Misfits).
All in all, this is about the most consummate act of devotion I've ever seen - interested parties definitely need to shovel these up.

